The versatility of Grammy-nominated baritone, Simon Barrad, has been heard in genre-bending concerts across the United States and Europe. His talent for unique and innovative programming and arranging – melding new and old, jazz and drama, classical technique and heartfelt folk idioms – has led to recent features at the Metropolitan Opera, Wigmore Hall in London, the Columbus Symphony, the Ravinia Festival, Stanford Live, the Marlboro Music Festival, and Cincinnati Opera. The 2015/16 Fulbright scholar to Finland has also headlined several concerts in Europe including performances at Helsinki’s Musiikkitalo, Finland’s National Opera House, and the Berlin Philharmonie. Through his performing and as a former mentor for ArtSmart, which provides free music and singing lessons to teenagers in underserved communities, Simon strives to build a more equitable world of empathy and understanding through music.
Photo by Jackie Stevens
Simon is also an avid lover and performer of jazz, new music, and ensemble singing. He is a four-time Downbeat magazine national award winner for vocal jazz, and he has performed at the Monterey Jazz Festival, ADCA conventions across the country, and the Grammys as a member of the Grammy vocal jazz ensemble. Simon regularly performs with Austin-based ensemble, Conspirare, and was the baritone soloist for their national tour of Considering Matthew Shepard. In the realm of new music, he has consistently championed new works, giving premiere performances of works by John Harbison, David Lang, Craig Hella Johnson, Mason Bates, and others, as well as performing at the John Duffy Composer Institute under the direction of Libby Larsen. As a Jewish musician, he served as the Rosh Hashanah and Yom Kippur soloist for over a decade at the historic Plum Street Temple in Cincinnati, and is currently the soloist at San Francisco’s Congregation Sherith Israel. He recently founded the musical group JIVE: Jewish Innovative Voices & Experiences with countertenor Aryeh Nussbaum Cohen and pianist Ronny Michael Greenberg.
Mr. Barrad holds a Master of Music degree from the University of Cincinnati’s College-Conservatory of Music where he studied with Kenneth Shaw. He has collaborated with artists including Mitsuko Uchida, Jonathan Biss, Awadagin Pratt, and Ignat Solzhenitsyn. Mr. Barrad also holds a BM in Voice and a French Language minor from the Bob Cole Conservatory of Music at California State University, Long Beach, where he graduated Summa Cum Laude and was inducted into the Phi Beta Kappa honor society. He has completed word for word translations and IPA transcriptions of Tchaikovsky’s Iolanta, Rimsky-Korsakov’s Mozart and Salieri, Borodin’s Prince Igor and a side by side comparison of the libretti of Shostakovich’s Lady Macbeth of the Mtsensk District and Katerina Izmailova.